Bygone Nearby

How can we make invisible buildings visible again? How can we draw public attention to their history? Photography as a language falls short of making war atrocities visible, yet it enables us to position ourselves in relation to them. It lets us feel and take notice.

In cooperation with Goethe Institut Ukraine, Nadiia Ufimseva and Piotr Przybyla

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Bygone Nearby is a collaboration between artist and photographer Jakob Ganslmeier and eight groups of primary school students from Ukraine, Poland and Germany. In the summer of 2020, Ganslmeier conducted week-long workshops in Sumy, Kovel, Beryslaw (UA), Glogówek, Bilgoraj, Warsaw (PL) as well as Marburg and Berlin (DE). A shared history of displacement is what connects these cities.

Photography was used by the students as a reflective tool to investigate their local surroundings. The photographs, essays, interviews and archival research conducted by the groups all point to the devastating effects of WW II which uprooted entire populations and critically changed the towns’ infrastructures.

With major parts of Ukraine under Russian occupation, encouraging youth to engage with their local histories seems more pressing than ever. Only eight months before the Russian army was to occupy her country (significantly affecting the town and cities of Beryslav, Sumy, and Kovel), 16-year-old Kateryna Biruk wrote a fictional letter to ‘Kovelchanka’, one of the buildings visited during the workshop:

“What is more frightening than the horror I am witnessing now? I can’t imagine anything more terrifying than war. There won’t be any victory, because we are all losers. Everybody lost a piece of themselves and can’t live a normal life anymore, one without nightmares about all of that violence, all of those deaths. We are doomed and it’s unbearable. We are a damned generation, born at the wrong time.”

The act of remembering is less of a historical exercise in countries whose borders have shifted numerous times over the past century. The latter is certainly the case for the three countries involved in the project, Poland and Ukraine in particular. For Kateryna and her classmates, the current situation painfully blends in with the past she was addressing in her letter written in the summer of 2021. No doubt, history will not feel like the past to the students from Poland and Germany she met during the workshop either.

Beryslav, Ukraine

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UPK Complex (Uchbovo-Profesiyniy Kompleks)

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Mass graves in the outskirts Beryslav

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Authors (students): Ivan Muterko, Anastasiya, Yakusheva, Liza Yuhnenko
Teachers: Olga Gudym, Natalia Kuznetsova
Historian: Nadia Ufimtseva
Artistic director: Jakob Ganslmeier

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Beryslav, Ukraine

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UPK Complex (Uchbovo-Profesiyniy Kompleks)

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Mass graves in the outskirts Beryslav

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Authors (students): Ivan Muterko, Anastasiya, Yakusheva, Liza Yuhnenko
Teachers: Olga Gudym, Natalia Kuznetsova
Historian: Nadia Ufimtseva
Artistic director: Jakob Ganslmeier

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Kovel, Ukraine

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Kovelchanka

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Mass graves of German soldiers

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Sewing factory

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House of Culture

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Kovel train station

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Bakhiv memorial

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Authors (students): Vladyslava Behal, Kateryna Biruk, Valentyna Bober, Mariana Lastovyria, Anastasiia Mishchuk, Mariia Movchan
Teachers: Viktoriia Harbuz, Ruslana Kozachuk
Historian: Nadiia Ufimtseva
Artistic Director: Jakob Ganslmeier

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Kovel, Ukraine

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Kovelchanka

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Women s gymnasium
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Mass graves of German soldiers

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House of Culture

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Kovel train station

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Bakhiv memorial

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Authors (students): Vladyslava Behal, Kateryna Biruk, Valentyna Bober, Mariana Lastovyria, Anastasiia Mishchuk, Mariia Movchan
Teachers: Viktoriia Harbuz, Ruslana Kozachuk
Historian: Nadiia Ufimtseva
Artistic Director: Jakob Ganslmeier

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“What is more frightening than the horror I am witnessing now? I can’t imagine anything more terrifying than war. There won’t be any victory, because we are all losers. Everybody lost a piece of themselves and can’t live a normal life anymore, one without nightmares about all of that violence, all of those deaths. We are doomed and it’s unbearable. We are a damned generation, born at the wrong time.”

Read Kateryna Biruk's text out of the perspective of the Kovelchanka building - Kovel, Ukraine

Sumy, Ukraine

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Church of Virgin Mary

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Kharytonenko’s estate

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College of food

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Authors (students): Arina Akentieva, Valeriia Dashkina, Anastasiia Korzhylova, Anastasiia Latkovska
Teacher: Olga Dashkina
Historian: Nadiia Ufimtseva
Artistic director: Jakob Ganslmeier

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Sumy, Ukraine

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Kharytonenko’s estate

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Authors (students): Arina Akentieva, Valeriia Dashkina, Anastasiia Korzhylova, Anastasiia Latkovska
Teacher: Olga Dashkina
Historian: Nadiia Ufimtseva
Artistic director: Jakob Ganslmeier

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Bilograj, Poland

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‘Singer House’ and the ‘New’ Synagogue

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Sochy

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New cemetery

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Authors (students): Olivia Dudzic, Agnieszka Popko, Maja Zastawny
Teachers: Ewa Spustek, Alina Typko
Historian: Piotr Przybyla
Artistic director: Jakob Ganslmeier

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Bilograj, Poland

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‘Singer House’ and the ‘New’ Synagogue

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Sochy

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research

Authors (students): Olivia Dudzic, Agnieszka Popko, Maja Zastawny
Teachers: Ewa Spustek, Alina Typko
Historian: Piotr Przybyla
Artistic director: Jakob Ganslmeier

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Warsaw, Poland

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Muranow

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Umschlagplatz

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Authors (students): Anastasia Bashuk, Olga Rybalt, Helena Swirtun, Mikolaj Wyjatek
Teacher: Norbert Stüwe
Historian: Piotr Przybyla
Artistic director: Jakob Ganslmeier

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Warsaw, Poland

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Muranow

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Authors (students): Anastasia Bashuk, Olga Rybalt, Helena Swirtun, Mikolaj Wyjatek
Teacher: Norbert Stüwe
Historian: Piotr Przybyla
Artistic director: Jakob Ganslmeier

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Impressions of Muranów – Olga Rybałt

Normal place, isn’t it? Some housing blocks, a kindergarten, someone fixing their car on the roadside and someone else opening their kitchen window on the 4th floor. When you come to a place looking for something specific, you’re often surprised upon seeing how few people see it – even if it seems giant to you. How is it even possible to bear such a burden, you wonder, when it’s so obviously there, in the foundation of your house, both figuratively and literally. It seems the answer is quite easy – one gets used to it. One fills the place with one’s own daily troubles, and instead of thinking how many bones of Shoa victims lie under the road, one thinks of one’s car on the road and why it won’t start. Does it mean the people of Muranów don’t care? No. They remember, in little moments of walking up the staircases or stepping on the marking of the Ghetto wall on their way to work. Nobody ever forgets completely. However, life on the ruins, conscious thereof or not, shows that remarkable human quality of always moving on.

Glogowek, Poland

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Former Synagogue Glogowek

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Raclawice train station

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Glogowek Castle

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Authors (students): Hanna Cwieczek, Maja Gerstenberg, Aleksandra Poremba, Szymon Reiwer
Teacher: Sebastian Gerstenberg, Aleksandra Zienkiewicz
Historian: Piotr Przybyla
Artistic director: Jakob Ganslmeier

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Glogowek, Poland

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Former Synagogue Glogowek

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Ground floor of the former synagogue now housing estate
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Raclawice train station

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Glogowek Castle

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Authors (students): Hanna Cwieczek, Maja Gerstenberg, Aleksandra Poremba, Szymon Reiwer
Teacher: Sebastian Gerstenberg, Aleksandra Zienkiewicz
Historian: Piotr Przybyla
Artistic director: Jakob Ganslmeier

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Marburg, Germany

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Jäger Barracks

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Tannenberg Barracks

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research

Authors (students): Mathilde Conze, Isabelle Kühnelt,Justus Reiss, Maren Sonja Schulz
Teachers: Bernhard Rosenkötter
Historian: Dominick Pick
Artistic director: Jakob Ganslmeier

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Marburg, Germany

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Jäger Barracks

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Tannenberg Barracks

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Authors (students): Mathilde Conze, Isabelle Kühnelt,Justus Reiss, Maren Sonja Schulz
Teachers: Bernhard Rosenkötter
Historian: Dominick Pick
Artistic director: Jakob Ganslmeier

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Berlin, Germany

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Forced Labour Camp Memorial

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Former AEG Factory

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Authors (students): Osia Labes, Laura Mühlfriedel, Giulia Ortmann
Teacher: Joanna Zaborowski
Historian: Dominick Pick
Artistic director: Jakob Ganslmeier

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Berlin, Germany

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Forced Labour Camp Memorial

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Former AEG Factory

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research

Authors (students): Osia Labes, Laura Mühlfriedel, Giulia Ortmann
Teacher: Joanna Zaborowski
Historian: Dominick Pick
Artistic director: Jakob Ganslmeier

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https://bygone-nearby.com/

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Bygone Nearby